Investigating autistic presence and expression on film and TV. We push beyond the obvious and seek out autistic themes and concerns in films from across the cinematic spectrum. We consider the ethics of performing autism, while also celebrating the autistic pleasures offered by the camerawork and the soundscapes. We delve into the works of cult directors who have hit upon an autistic way-of-seeing, perhaps without ever intending to. We entertain new possibilites for re-thinking beloved films in a neurodivergent light. Join regular contributors Janet Harbord, Georgia Bradburn, John-James Laidlow, David Hartley and Alex Widdowson for their fascinating and diverting discussions of a whole suite of suprising and challenging films. This podcast is brought to you by the Autism Through Cinema project, based at Queen Mary, University of London and funded by the Wellcome Trust. For further information on the wider project, visit our website at autism-through-cinema.org.uk and follow us ...
Episodes
Friday Sep 29, 2023
Friday Sep 29, 2023
A huge welcome today to our final special guest, the wonderful Alex Gregson. Alex is Head of Audio at 344 Audio, and has led on the edits of the last eight episodes of our podcast, for which we are eternal grateful. He is newly diagnosed as autistic and reflects very thoughtfully on how his autism has contributed positively to his career as a sound engineer and audio editor.
For our analysis, Alex brings along Alejandro González Iñárritu's Academy Award winning 2015 revenge thriller The Revenant, and asks David and Lillian to pay particular attention to the rich soundscape of the film. We discuss the careful detailing of the sound design, as well as Iñárritu's concoction of a 'cacajanga' soundscape. We find autistic resonance in the meticulous attention paid to the layering of the natural sounds of the wild landscapes, as well as the precise choices made in the levels of balance between sound effects, score and dialogue.
We move on the reflect on some of the challenges faced by neurodivergent individuals who are sensitive to sound, and consider how filmmakers might rethink their approach to final mix of a movie to better accommodate those who might struggle with such sensory input.
A huge thanks again to Alex for joining us, and for doing such a brilliant job of editing our latest batch of episodes. For more on the work that 344 Audio do, you can visit their website here: https://www.344audio.com/
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